Paisagem em Pulso I by Melina Rubin for Artimage brings together deep green forms and fields of coral, pink and terracotta in an abstract composition full of movement. Printed canvas is layered over a painted MDF backing, protected by glass and surrounded by an oak laminated wood frame.
Measuring 106 cm wide, 151 cm high and 5 cm deep, this large-format framed print suits living rooms, entrance halls and expansive walls where it can be viewed from a few steps away. Its vertical proportions give the colour fields room to unfold, while the frame defines the edge without competing with the image.
The work can also be paired with Paisagem em Pulso II, a piece by the same artist with matching dimensions. Displayed alone, the focus remains on the relationships within this composition; placed beside its companion, it forms a two-piece arrangement.
Elongated gestures and denser areas of colour lead the eye along paths that open up and break off across the canvas. Deep green gives certain areas visual weight, while coral, pink and terracotta create warmer fields around them. Lighter areas provide contrast to these more concentrated passages.
The image suggests a landscape in flux, conveyed through the energy of its colours rather than through defined outlines. There is no horizon or identifiable figure to anchor the scene. Instead, the relationships between the coloured shapes give the composition its structure and direct attention from one area to another.
Viewing distance changes how the work reads. From several steps back, the larger fields of colour and their contrasts come forward. Closer observation draws attention to the elongated marks and the places where those visual paths are interrupted. The landscape association remains abstract rather than resolving into a clearly depicted setting.
The construction brings together two layers: a painted MDF backing and printed canvas placed over it. Glass protects the front, while the oak laminated wood frame outlines the work. These distinct elements form the backing, printed surface, protective front and outer surround.
The colour and movement belong to the printed canvas composition. Around it, the frame provides a defined boundary, keeping the emphasis on the green, coral, pink and terracotta within the image.
The vertical format calls for a wall with open space around the frame. Suggested positions include above a console or sideboard, beside a sofa, or at the end of a hallway. Allowing a view from a few steps away helps the larger colour relationships remain visible, rather than restricting the view to individual passages.
Against white, beige, grey or wood, the colours stand out more strongly. In a room that already includes green or terracotta in fabrics and decorative objects, the print carries those colours onto the wall. These two approaches offer different ways to relate the same composition to its surroundings: through contrast with a neutral setting or through repetition of existing colours.
Given the size of the piece and its glass front, use fixings suitable for the wall type, preferably installed by a professional. For cleaning, use a soft, slightly damp cloth on the glass only and a dry cloth on the frame. Avoid prolonged exposure to direct sunlight.
It consists of printed canvas layered over painted MDF, with a glass front and an oak laminated wood frame.
Yes. Glass protects the front of the work.
The framed print measures 106 cm wide, 151 cm high and 5 cm deep.
Yes. Paisagem em Pulso II, by the same artist, has matching dimensions and can be displayed alongside it.
Deep green, coral, pink and terracotta appear against lighter areas. The contrast between the darker green and the warmer colour fields is central to the composition.
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