The Sabia Artimage framed print by Mono Giraud brings together a paper print, glass protection and a wood frame in a large-scale composition. At 153 cm tall, it creates a strong vertical presence on the wall and organizes the visual field with a striking artistic image in neutral and earthy tones — ideal for interiors with natural materials, soft lighting and clean-lined furniture.
The composition balances the human figure, organic volumes and surface texture, adding depth without excess ornament. The frame outlines the work with a discreet border, while the glass sharpens the reading of the image and helps protect the surface.
With generous proportions, this piece works as a focal element in living rooms, entryways, offices and circulation areas where the wall plays an important role in the composition. The 153 cm height helps fill wide surfaces and creates a continuous read above sideboards, consoles, armchairs or low furniture.
The image presents an expressive construction, with volumes that recall magnified botanical forms and a contained palette spanning beige, brown, aged-gold notes and deep shadows. This set favors neutral schemes and pairs well with wood, stone, textured fabrics and metals with warm finishes.
Rather than competing with many surrounding elements, the piece organizes the room through contrast of scale and image. It works well on its own on a main wall and also in projects that value large-format art as a structural axis of the decor.
The structure combines three main elements: paper, glass and wood. The printed work on paper preserves color, contrast and graphic detail, while the glass adds a front protective layer. Around it, the wood frame defines the visual boundary and adds depth to the set.
This type of composition suits those looking for wall art ready to integrate indoor spaces with a more complete finish. The glass contributes to a stable presentation of the image, and the frame allows the piece to converse with different furniture styles, from contemporary to clean-lined classics.
Because the visual language here is already strong, materials around the piece help maintain balance. Light walls, indirect lighting and subtly textured surfaces tend to enhance the drawing and contrasts of the work.
The piece measures 153 cm in height, 113 cm in width and 5 cm in depth. These dimensions place it among works with strong visual presence, ideal for walls where the art should read as a structural part of the decor rather than an accessory.
In entry halls, the vertical format creates impact right at the arrival. In living rooms, it works well above sideboards and consoles, provided the furniture allows lateral breathing space and a height proportional to the set. In offices, the piece helps build a more authored atmosphere without resorting to many small decorative objects.
The 5 cm depth supports a clean fit on the wall, with enough volume for the frame to read clearly without protruding too much. The approximate weight of 17.29 kg calls for installation compatible with the scale of the piece and with the type of surface where it will be mounted.
For cleaning, use a soft, dry cloth on the set. On the glass, you may also use a slightly damp cloth, always without abrasive products. This helps keep the reading of the work clear and avoids wear on the outer surface.
Avoid direct, continuous sunlight and prolonged exposure to humidity. These conditions can affect the conservation of the paper, the wood and the visual stability of the piece over time.
In indoor environments, with controlled lighting and away from intense sources of heat or moisture, the artwork tends to maintain its presentation and finish better.
The artwork is composed of paper, glass and a wood frame.
The measurements are 153 cm high, 113 cm wide and 5 cm deep.
The work is by Mono Giraud.
The brand is Artimage.
Yes. The piece includes a wood frame.
Yes. The front of the work is protected by glass.
It adapts well to living rooms, entry halls, offices and broad walls above low furniture such as sideboards and consoles.
Use a soft, dry cloth. On the glass, you may use a slightly damp cloth, without abrasives.
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